≤7500m

For 5+ hours in Two days during Land Art Flevoland 2022, I connected, threaded and Webbed between the installation Polderland Garden of Love and Fire (1997) by Daniel Libeskind and the trees on the other side.

Inspired by the local spiders live on the installation and the forest, I see the process of making and maintaining polderland as an example of how the will of human and strength of nature intertwined, which, through the contemplative walk, the web gradually formed as the manifestation of both part.

The title comes from the amount of thread used during the performance.